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Hellboy Library Edition, Vol. 2: The Chained Coffin, The Right Hand of Doom, and Others v. 2

Compare Hellboy Library Edition, Vol. 2: The Chained Coffin, The Right Hand of Doom, and Others v. 2

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Hellboy Library Edition, Vol. 2: The Chained Coffin, The Right Hand of Doom, and Others v. 2 Description:

Since Mike Mignola’s Hellboy first hit the stands in 1993, it has become a cultural sensation, racking up a dozen Eisner Awards and inspiring numerous spinoffs – from a novel line, to video games, to feature films. Now, Dark Horse is pleased to present the comics that started it all, collected in deluxe hardcover editions. Sized at a generous 9′ x 12′, and handsomely bound to match The Art of Hellboy, each volume contains the equivalent of two full trade paperbacks.

  • Amazon Sales Rank: #26435 in Books
  • Published on: 2008-10-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 278 pages

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Customer Reviews:

Halloween is here early!5
Wow, Dark Horse continues the good work with HELLBOY. This second volume, as with the first book, shows us the way this work of art was meant to be enjoyed. The oversized book is handsome, tightly bound and beautifully printed on heavy-stock paper. Sure, the book is expensive but it really is worth every cent. Dark Horse shame larger companies such as Mravel and DC in the presentation, quality and pricing of their product.

Like other readers I was disappointed with the original HELLBOY softcover editions which would fall apart after a few readings due to poor bindings but these new versions are sturdy and will look amazing on your bookshelf. The mistakes of the past have been rectified and the new editions are so different that even old fans will marvel at the way the HELLBOY tales flow across the canvas. The vast pools of black paint now almost resemble liquid velvet. And the reds erupt like pulsating lava. The book throbs in your hands!

Mike Mignola’s art has never looked this gorgeous. Absolutely lovely, rich and gothic. Get this baroque horror book now and while away the dark autumn evenings as we head towards All Hallows Eve.

Even better than the first volume5
The Hellboy Library Edition has been my introduction to the series. The first volume consisted of two long stories, Seed of Destruction and Wake the Devil. This volume consists of several stories, ranging widely in tone. The first, “Pancakes,” is a very cute and whimsical two-pager. “The Corpse” is a short story in the most literary sense. All follow Hellboy closely, with the other characters playing minor roles, and contain tight, self-contained plots.

These bite-sized chunks of comic goodness are ultimately more satisfying than the epic Nazi-Rasputin-vampire conspiracies that filled the first volume. This is an outstanding set of fables, by any standard. Those who are unfamiliar with the graphic novel genre may find this to be a superb introduction.

The right hand of…. maybe doom?5
When Hellboy isn’t saving the world from imminent destruction, he’s doing a lot of little odd jobs across the world.

And by “odd jobs,” I mean brief paranormal cases involving fairies, flying hunters, homunculi, “pamcakes” and disembodied heads. “Hellboy Volume 2: The Chained Coffin and The Right Hand of Doom” collects two volumes’ worth of the demon anti-hero’s assorted adventures, ranging from a fairy changeling to a devilish plot to conquer the world. All in a day’s work.

Assorted short stories take Hellboy all over the world, and confronting many different problems — a baby kidnapped by the faery folk, underground fiends, the malevolent witch Baba Yaga, a werewolf trapped by a centuries-old curse, the Saint Leonard worm (a dragon), a spectral huntsman followed by berserkers, a Japanese house full of bouncing heads, a seance gone horribly wrong, and the supervampire Varcolac.

And Hellboy heads to the ruined church where he was found — only to dream of a dying witch, her holy children and a devil that sought the witch’s “chained coffin.” Turns out it has something to do with Hellboy’s own origins. Not to mention an ancient, mysterious drawing provided by a priest of the “right hand of doom” — which looks suspiciously like Hellboy’s own hand.

And two bigger jobs loom over Hellboy — after losing her fire powers to a strange homunculus, Liz Sherman is slowly dying. To save her, Hellboy sets out to find the homunculus, only to find that his crazed megalomaniac “elder brother” is planning to use Kate to bring a new, vast homuculus body to life.

And a demon (which looks suspiciously like a housefly) sealed into a box is stolen from a secret compartment, and is soon “serving” a human master. Turns out they want to lure Hellboy to that place, in the hopes of stealing the evil, apocalyptic powers that he has already renounced.

Mike Mignola is awesome at full-length graphic novels, but his shorter works are even better — these are lean, compact little action stories with nothing more or less than they need. And it’s sort of nice to see Hellboy’s more ordinary cases — if you can call these ordinary — with foes like a changeling, a werewolf, the fairies and even a dragon.

Mignola’s writing doesn’t suffer from the shorter format, especially since he happily adapts some folktales to fit his world (legends, fairy tales, saints). There’s wonderfully sick dialogue (“I’VE LOST MY ARRRRRRMMM!” “I’m sorry. Really. But… do you really need it? I mean, you’re already dead and we’ve gotta go…”) and some poignant moments (Hellboy musing on his “destiny”). Naturally, also plenty of bloody, horrific moments including a a chapel haunted by werewolves, a vampire that can “eat the moon,” and a man turning into a giant lizard.

Hellboy is basically your average investigator in most of these stories — he goes in, gets the job done and fixes things (occasionally being mistaken for Father Christmas). He’s a nice straightforward kind of guy with a gruff manner, but Mignola reminds us at times that he has some unhappier facets (“You know how I live? I never deal with what I am”).

And Mignola gives us some glimpses into where the “favorite son” may have come from, and the destiny he is still determined to avoid forever. It’s pretty ghastly at times. At the same time, we get the hilarious “Pancakes” story, in which Hellboy’s reluctant first bite leads to, ahem, hell-raising results.

“Hellboy Volume 2: The Chained Coffin and The Right Hand of Doom” collects many of Mignola’s brilliant briefer stories, with a full range of Hellboy’s smaller-scale cases.

From Booklist
The second oversize collection of Mignola’s infernal superhero consists entirely of the shorter stories that fill the gap in the unfolding big story started in the early Hellboys gathered in Hellboy, v.1 (2008) and resumed, a bit, in Strange Places (2006). It’s pure Mignola, written and drawn, and it verifies his and editor Scott Allie’s shared contention that horror is best suited to the short story, even when it is adulterated by Hellboy’s wisecracks and exclamations of minor frustration while pummeling and being pummeled by supersize supernatural monsters. Try “The Corpse” and “The Wolves of St. August” for starters, then devour the rest of these terribly tasty concoctions. –Ray Olson

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Waking Up Blind - Lawsuits Over Eye Surgery

Waking Up Blind – Lawsuits Over Eye Surgery Prices, Buying, Test and Reviews.

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Waking Up Blind – Lawsuits Over Eye Surgery Description:

Imagine trusting a doctor–with the best reputation in the state–to do surgery on your eyes. Now imagine the worst of outcomes. Blindness in an eye that you learn, in fact, never needed surgery. And the medical center where you were treated is ignoring the problem.

Waking Up Blind is the story of how an eye surgeon became the cause of an array of medical problems for his patients. It is also the story of how one of the nation’s premier medical centers tried to conceal the growing scandal. The faculty who exposed the problems were punished. Official committees and the university leaders minimized the misconduct. Slowly, lawsuits and publicity brought some to light in bits and pieces.

With the use of court documents, transcripts of tape-recorded conversations, interviews, and personal observation, Dr. Tom Harbin presents this case from the very beginning, uncovering all levels of wrongdoing and secrecy. Waking Up Blind will shock the reader with its candid exploration of the dark side of medicine.

  • Amazon Sales Rank: #64755 in Books
  • Published on: 2009-12-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 240 pages

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Customer Reviews:

Big ego and big health care5
As with any industry, there’s a place in American health care where big money and big ego cross paths. But in medicine, that intersection is often found in the body and mind of individual Americans.

A distinguished ophthalmologist and clinical professor at Emory, Tom Harbin provides the authoritative account of the rise and rise of Dwight Cavanagh. Performing eye surgeries in impressive numbers, Cavanagh made himself into a money machine for Emory. Not only did the institution receive reimbursement for the procedures; Cavanagh was also adept at winning grants. The whole department prospered. The University built state-of-the art facilities. Everybody seemed to win. Cavanagh was the ophthalmological equivalent of a rock star.

Except that whispers began to spread about whether the patients really needed all those operations. In one case, Cavanagh operated on the wrong eye, blinding a poor man who hadn’t clearly needed surgery in the first place. After too many operations on too many borderline patients, the hard-working, honest physicians alongside Cavanagh finally mustered the courage to question the rock star’s practices. Cynically, the Emory administration closed ranks, and it was the honest critics whose careers were stunted.

Harbin tells this true story with a novelist’s pace and an insider’s authority. Waking Up Blind succeeds because it’s a gripping story told by an authoritative physician with a graceful and unobtrusive style. It’s also an engaging account of how Big Ego and Big Health Care can actually compromise patient outcomes. Arriving in the midst of the national health care debate, Waking Up Blind couldn’t be more timely.

Hottest topic and book I’ve seen in healthcare in 20 years, living story, don’t miss it!5
This book is a long awaited ring of truth calling to the hearts of those who were and are close to those involved. The story of institutional corruption is gripping but also sickening, this is not fiction and it is a living scandal that continues today and has many more victims than Dr. Harbin’s book describes. Any interested reporter has but to place one call at random to any doctor’s office in Atlanta to validate this story and numerous other allegations by respected professionals against Emory. Dr Harbin writes from all of our hearts and souls as Americans, read this book and cry out against the abuse of power and profit at the heart of our nations soul, among the very leaders of communities we look up to.

Robin du Bois

Timely, Interesting and “Capotesque”5
Because of the current interest in healthcare by the President and Congress, Dr Harbin’s book is important and timely. Because it is well-written and very interesting, the book is also entertaining. In my opinion, it’s almost “Capotesque” in it’s capacity to lead the reader through an unbelievable adventure which almost makes one feel that this factual disaster is actually a novel.
This will be my Christmas gift to my friends in the medical community as well as to those who enjoy a “page turner.”
Well done !

Review
Waking Up Blind: Lawsuits over Eye Surgery is a riveting, true story that reads like a novel. While my novels deal with fictional medical disasters, Harbin spins a devastating, real-life account that will make the reader forever wary of the charming, super doctor. –Robin Cook, author of Coma and Outbreak

Waking Up Blind is an astonishing book of great courage and an even greater passion for seeking–and telling–the truth.” –Pat Conroy, author of The Prince of Tides

”This frightening story is the must-read book of the year. I simply could not put it down, then it stayed with me long after I had turned the last page.” –Cassandra King, author of The Sunday Wife

Waking Up Blind is an astonishing book of great courage and an even greater passion for seeking–and telling–the truth. –Pat Conroy, author of The Prince of Tides

This frightening story is the must-read book of the year. I simply could not put it down, then it stayed with me long after I had turned the last page. –Cassandra King, author of The Sunday Wife

Waking Up Blind is an astonishing book of great courage and an even greater passion for seeking–and telling–the truth. –Pat Conroy, author of The Prince of Tides

This frightening story is the must-read book of the year. I simply could not put it down, then it stayed with me long after I had turned the last page. –Cassandra King, author of The Sunday Wife

About the Author
Dr. Tom Harbin received his M.D. from Cornell University and trained in ophthalmology at the Wilmer Institute of Johns Hopkins. He has been practicing ophthalmology with a specialty in glaucoma for over thirty years and is a Clinical Professor Emeritus at Emory University. Waking Up Blind: Lawsuits over Eye Surgery is his first book. His second book, What Every Doctor Should Know — But was Never Taught in Medical School will be published in 2010.
Dr. Harbin resides with his wife in Atlanta, Ga.

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Canon EOS 7D Digital Field Guide

Canon EOS 7D Digital Field Guide Sale-$13.59!

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List Price: $19.99

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Canon EOS 7D Digital Field Guide Description:

No-fail formulas for getting great digital photos with the Canon EOS 7D

If you want to polish your photography skills, keep your camera bag stocked with the best equipment, like Canon’s new EOS 7D camera and this practical, full-color Canon EOS 7D Digital Field Guide. Portable and packed with information, this handy guide helps you get the very most out of the EOS 7D’s powerful new features. Discover professional shooting tricks, helpful composition advice, and invaluable tips on exposure, perspective, and more. The book also includes a grey and color checker card, so you can tweak your captured photos for optimal colorization.

  • From menu screens to composition, this book provides no-fail techniques for getting the most out of your Canon EOS 7D digital camera
  • Covers the camera’s new features, including the 19-point autofocus, new metering system, integrated Speedlight Transmitter, 8-frames-per-second shooting ratio, and improved HD video capturing
  • Helps you take your photography skills to another level with photography tips and tricks from professional photographer and author Charlotte Lowrie
  • Teaches you photography essentials such as composition, exposure, perspective, and more
  • Includes a grey and color card checker and full instructions with the book

Take memorable photographs with your new Canon EOS 7D and the Canon EOS 7D Digital Field Guide!

  • Amazon Sales Rank: #4025 in Books
  • Published on: 2009-12-21
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 304 pages

Features

  • ISBN13: 9780470521298
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

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Customer Reviews:

An Excellent 7D Guide5
I previously purchased Charlotte’s 40D Field Guide and found it to be an excellent adjunct to the Canon owners manual. I have often wondered why manufactures can not write lucid, easy to understand directions. Charlotte has remedied this by turning out another fine guide in the 7D edition. I received it from Amazon Dec. 12th and quickly read thru it, and now I am going back and studying it in depth, particularly the sections pertaining to the autofocus system. Charlotte not only tells you what the various 7D features are, but where they are useful, using real life illustrations from her professional work, and then how to implement them step by easy step.

The 7D autofocus system has to be one of the best available, if not indeed the best. But it is full featured and to use it to maximum advantage one should have a complete understanding of it’s capabilities and functionality. Charlotte does a fine job explaining both. The 7D was unfairly maligned on the web forums by early adopters because they did not study the autofocus system before attempting to capture images and be the first to get them online. I have not had one problem with the 7D, and the 18-135 kit lens is one of the best I have used, and I have some fine lenses including Canon “L”.

Charlotte’s 7D book will probably be best appreciated by those who have a basic understanding of the interplay between ISO setting, F stop, and shutter speed for obtaining proper exposures. I am not looking “down my nose” at those who are learning, but the 7D is very fully featured and I do not think of it as an “entry” level camera. I have a lot of experience, being trained by the U.S. Army over fifty years ago as a Still Picture Photographer, but I find much useful information in my Charlotte Lowrie Field Guides and I highly recommend them. In closing, I have frequently utilized the Picture Style recommendation by Charlotte for the 40D, and I used her 7D Style recently for a “Santa Claus” event I did for a local Children’s Specialty Shop. I shot in large raw and medium jpg and the jpg results were so outstanding, I did not have to do any raw processing, only cropping and then uploading to Mpix for printing. The workflow time savings from her Style recommendation alone was worth the price of the book.

Excellent book on functions of Canon 7D4
I’ve been reading through the Canon EOS 7D Digital Field Guide by Charlotte Lowrie and have to say that I’m impressed with the book. I’ve never bought a book like this before having always relied on the manual that came with the camera and other online guides. While I still like the camera manual and love scouring the interwebs for new information, this book provides a great deal of value to a photographer with a Canon 7D…especially when you’re out in the field shooting.

When you pick up a book like this, you know what you’re in for…a walk-through of all the settings of the camera and how to use those settings. But more than that, the author provides a great deal of insight into how she users her camera in different situations…which is extremely interesting for me. These types of personal touches allow me to see how other photographers think and use their gear.

The book is split into twelve chapters with a ton of information in each chapter. The chapters are:

* Ch 1 – Roadmap to the 7D
* Ch 2 – Camera Setup and Image Playback
* Ch 3 – Controlling Exposure and Focus
* Ch 4 – Getting Great Color
* Ch 5 – Customizing the 7D
* Ch 6 – Shooting Live View and Tethered
* Ch 7 – Using Movie Mode
* Ch 8 – Working with Flash and Studio Lights
* Ch 9 – Lenses and Accessories
* Ch 10 – Event and Action Photography
* Ch 11 – Nature and Landscape Photography
* Ch 12 – People Photography

The titles of the chapters are pretty self-explanatory.

Chapter’s 1 through 7 provided the most value for me as they explored camera functionality and usage. I spent the majority of my time with this book in these first seven chapters. Chapters 8 through 12 provide general information about photographing in particular situations and how to setup the Canon 7D for those situations…good chapters but not as ‘meaty’ as the first seven.

The real strength of this book is the ability to communicate camera settings and functions clearly and quickly. The manual that comes with the 7D is good, but is a technical manual…this book provides a bit more for the reader to soak in.

If you have a Canon 7D and can’t (or don’t want) to decipher the camera manual, this book is for you.

I can’t put this book down; except to wash my hands…3
I have not been able to put this book down since I got it. It’s the best camera-specific book I have read an is very detailed. It’s like having a conversation with another experienced user; one who gives you the inside scoop on all those little features you don’t know how to use…

If you are consdiering this book or the Magic Lantern series, I would suggest this: If you are a newbie, use auto mode and want to move the dial over to those strange AV/TV modes; then maybe get both, the Magic Lantern books are great for beginers; I loved them. However, their book is NOT 7D specific. However, if you know how to use AV/TV modes pretty well, but want the inside scoop on all the custom settings, best settings for certain shots, you must get this book. You will not regret it.

So why the three stars? Well, the ink on the book smudges like an old inkjet printer from 1994. I’m not going to return it, I like it that much, but I’m very disatasfied with the ink and find that unacceptable. Halfway through chapter one I had to wash my hands because my fingers were turning black.

Review
‘…the best extension to the manuals of popular camera models…well-illustrated guide…’ (Amateur Photographer, March 2010).

From the Back Cover
Learn to get the most from your EOS 7D

With its 18-megapixel resolution, 19-point autofocus, Intelligent Viewfinder, and high-resolution HD video capacity, your Canon EOS 7D is a tool for telling stories. This go-everywhere guide is your one-stop resource for learning what your camera can do. You’ll find practical suggestions for camera set-up, in-depth instruction on using camera features and how they work together, and advice on creative application. Then you can concentrate on the story you want to tell.

  • Explore key technologies — the 18-megapixel CMOS sensor, improved high ISO noise reduction, and dual DIGIC 4 high-speed image processors

  • Learn what each control does and how to set up your camera for a wide range of subjects

  • Find out how to control exposure, use the new focusing system, and get great color

  • Explore ways to customize the 7D to suit your shooting needs

Inside – your free gray and color checker card to help you achieve accurate white balance and color

About the Author
Charlotte K. Lowrie is a professional photographer and award-winning writer. Her photographic experience ranges from photojournalism and editorial photography to shooting nature photos and weddings. Charlotte’s images have appeared in national publications, and she has written 11 books. She teaches photography courses at BetterPhoto.com. You can see more of her work at wordsandphotos.org.

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Practical HDR: A complete guide to creating High Dynamic Range images with your Digital SLR

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Practical HDR: A complete guide to creating High Dynamic Range images with your Digital SLR Description:

HDR is both a technical solution to the limitations of digital camera sensors, and a creative tool that can give any image much more impact – but it is not without its pitfalls, and it’s essential to understand these if you want to take full advantage of this innovative technique. Practical HDR provides you with an abundance of step-by-step examples that will quickly make you an expert on the theory and practice of shooting and processing HDR images, allowing you to get the best possible results every time.

As well as practical advice on shooting and processing, the book also contains a global showcase of inspirational HDR images – you will quickly find that HDR offers unparralleled opportunities for indulging your creative instincts, from photo-realistic to hyper-realism.

*Create stunning HDR images – from photorealistic to the hyper-real

*Covers in-camera image capture and digital darkroom techniques

*Combines sound, step-by-step advice with an inspirational gallery of images

  • Amazon Sales Rank: #15791 in Books
  • Published on: 2009-09-14
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 160 pages

Features

  • ISBN13: 9780240812496
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

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Customer Reviews:

Getting More Dynamic Range5
A physicist acquaintance who specializes in digital imaging tells me that increasing resolution or reducing noise in digital sensors are much easier problems to solve than extending the range of light of sensors to equal the human eye. In the unlikely event that you are a serious photographer who has been waiting for the dynamic range of digital sensors to increase rather than deal with high dynamic range (HDR) it would be better to get over it. This book is an excellent place to start.

Nightingale’s book is divided into chapters that include understanding dynamic range, shooting for HDR, merging bracketing sequences, creating photo-realistic and hyper-real HDR images, and post-processing.

The author recognizes that there are many HDR software packages on the market and rather than try to describe them all, he only touches on three. They include Photoshop, which at least as far as the CS4 version he dismisses as not very useful, and the quirky but occasionally useful FDRTools. The lion’s share of the instruction is devoted to Photomatix Pro, which is rapidly becoming the standard for HDR. Unlike several other texts, he explains what each of the sliders and buttons in Photomatix does and what compensating adjustments have to be made if you select one of the more specialized sliders. He also covers post-processing of HDR images in Photoshop at a level of detail sufficient for those familiar with Photoshop to clean up the HDR image, rather than just suggest the tools that might help. He also provides several examples that give detailed step-by-step explanations of how he used the options available in both HDR software and post-processing and the reasons he selected those settings. Sprinkled throughout the book are HDR examples created by several expert photographers.

Nightingale writes concisely and clearly. I particularly liked that he distinguished between images where the range of light was extended but the images remained realistic, and HDR images that seem almost surrealistic and more like illustrations than photographs. The author shows you how to create both types of image, and clarifies which controls lead to which results.

Although this is one of the best books about HDR that I’ve encountered it is not perfect. For example in capturing images, I’ve found that it pays, not only to insure that the bracketing images are made by varying the shutter speed rather than aperture, to keep the same depth of field, but also to turn off auto-focus and auto-white balance to prevent too much variation from image to image. Moreover, when it comes to processing, other than to refer to FDRTools’ capabilities to deal with motion between bracketed images, there is little other discussion of the motion problem. On the nice-to-have level, it could have been useful to deal with tools like Photomatix Pro’s Lightroom plug-in which extends the utility of the software. Similarly, providing images that were downloadable or on a disk might have made it even easier to follow the examples, especially with available trial versions of the HDR software.

Nevertheless, I still find this one of the best books available on the subject, and I intend to keep it in the small library of books next to my computer to which I regularly refer.

Not much more than a basic software manual2
HDR photography is a fairly complex subject. As an amateur photographer of several decades experiences, I’ve often encountered situations where a single photograph simply cannot capture both highlight and shadow detail. “Practical HDR” does a good job of explaining the basic problems with photography compared to vision, though it gives shorter shrift to RAW format in discussing this than it really should. Truth is, RAW captures 2-3 more Exposure Values of dynamic range than normally appear in JPG images, since the in-camera tone mapping tends to compress highlight detail severely to enhance mid-tone contrast.

As “Practical HDR” rightly points out, there simply is no easy solution mapping a high dynamic range image to ordinary monitors and prints. Any global change you make will sacrifice contrast in one range in order to enhance it in another, which is why standard tone-mapping throws away highlights. The best solution is to treat each area of the the image separately, emphasizing different luminance ranges in different parts of the image.

The book explains bracketing exposures, a familiar concept to many photographers even if they aren’t attempting to create a HDR image, and the basics of using three programs: Photoshop (CS2 or later), Photomatrix Pro, and FDRTools. However, “practical HDR” rarely goes much beyond what you’d learn from the manuals for these programs. Time and again, the book does little more than describe the purpose of program sliders, and tell you to play with the slider until you get a result you like. I could have figured that out on my own, thank you.

Toward the end of the book, “Practical HDR” dips briefly into photoshop techniques such as the Curves tool and blending two images using a layer mask. Both are extremely basic looks at fairly hairy subjects – it’s very easy to end up with a highly artificial looking result when using layer masks if you aren’t careful about transitions.

For a book that is often concerned about aesthetics, the book itself makes some highly questionable ones. The print is often a hard to read white-on-black, and sometimes there’s a faint photographic background behind the text making it even more difficult.

There’s also something of a coffee-table aspect to the book. Despite ostensibly being about instruction, there are roughly 40 pages of photos in the 160 page book which have no accompanying discussion at all. “Look at what I did” is hardly helpful for a photographer struggling with HDR when you don’t explain how you reached that result.

Sometimes the book skips over vital steps. In one example, a very drab looking intermediate result becomes a vibrant final result, and the book simply says “I applied a strong ‘S’ Curve to expand the tonal range.” This is extremely counter-intuitive, since he earlier deliberately compressed the tonal range. I strongly suspect the improvement has more to do with the author’s skill with the Curves tool than anything else, and the result is an example that isn’t very helpful to the reader.

If you’ve never done a bracketing exposure, or examined the histogram on the back of the camera after a shot, you’ll get more out of this book than I did, since it will serve as an introduction to those concepts. If, however, you’re looking for solid book on how to merge highlight and shadow detail in an image without losing overall contrast, you will be as disappointed as I was.

– Gus

Best of the bunch4
I’ve been using HDR techniques in my nature photography for quite a while. Anytime scene dynamic range exceeds the dynamic capture range of the camera’s sensor, you are going to have sacrifice either lights or darks (or a little of both). In nature photgraphy, it is quite common to encounter this situation when part of your subject is in full sun and part in shade. If you want to capture this wide dynamic range, you will eventually turn to using some tone mapping software.

This book covers three tone mappers: Photomatix, FDR Tools and Photoshop. While this book does not cover all the avilable tone mappers, the first two are noted for their ability to generate high quality natural looking images. Photoshop is covered as well, I suppose because a number of photographers will already have a copy. Photoshop is probably the least capable of the three as far as tone mapping is concerned. On the other hand neither of these tone mappers produces a ‘final’ image that would not be improved by some post-processing in Photoshop. As pointed out in this book, there are some advantages to pre-processing raw files (to TIFF, for example) before opening in any tone mapper. So it’s best to think of HDR tone mappers as part of an HDR work flow that includes Photoshop (or other image editor) at both ends.

I have had a chance to review three previous books on HDR and this one is so far the best. I have some quibbles with this one as well, but as far a getting started in HDR photography, this is the best. It includes both processing for a natural look, as well as the ‘exotic’ HDR that is more commonly seen. The use of particular controls in each software package’s interface is well explained (unlike some earlier books) and will give you a very good start. It must be noted that in HDR software, there is little in common in regard to what each control is named and what it does. So these explanations are necessary.

The quibbles: Chapter 4 is about creating ‘Photo-realistic images’ and Chapter 5 is about ‘Hyper-real images’. The detailed steps in using Photomatix’s Details Enhancer is covered primarily in Chpter 5 although I find it much better for photo-realistic images. This may also be true for FDR Tools, although I do not use that particular tool. So be sure to read both chapters before applying to your own images. I would have liked to see more material related to pre-processing raw files in preparation for tone mapping. For example, I find it much better to remove chromatic abberation, and set white balance in Camera Raw, saving as TIF, before beginning the HDR processing. Next, I would like to one of thes books actually provide downloadable versions of the images used so you can follow along with the examples in the book. One thing all these books point out is that images respond very differently to tone mapping, and there is a good possibility that your images won’t respond like the images in the examples. And finally, there are a number of images by noted HDR practitioners at the ends of chapters, and although pretty, they are not accompanied by any explanation whatever of how these tools were used. So mostly filler of sorts. (But check John Maslowski’s images on page 81 for what I would call true photo-realistic images.)

The good points: The book expects you to have a good working knowledge of your camera. There is none of the ‘what camera to buy’ or ‘what lens to use’ found in some other HDR books. It fully explains what your HDR exposure sequence should look like, whether your camera has a built in exposure bracket function, or you have to work in manual mode. (And a DSLR is not required; any camera with a manual mode and histogram display will do. A tripod is required in all cases anyway.) The images are reproduced is a larger size that lets you see what’s happening.

If you are interested in HDR images, download and install the trial versions of the main two described, then include the trial versions of the other tone mappers mentioned on page 157. Prepare several HDR exposure sequences, and try each. Follow the steps described in this book with Photomatix aand FDR Tools. Then work with the others. Your only cost at this point is the book; the trial versions are free.

About the Author
David Nightingale is an intructor for the Perfect Picture School of Photography and director of Chromasia training.

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A World in HDR

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A World in HDR Description:

High dynamic range (HDR) photography lets you capture the myriad colors and levels of light that you can see in the real world, and the results are amazing photographs that run the gamut from super real to surreal. Explore this fantastic realm of photography through the unique vision of renowned travel photographer Trey Ratcliff. In this book, Trey shares his phenomenal HDR photographs as well as all the backstory on the adventurous circumstances of their origin. He also reveals the techniques he used to get the final shot. The breathtaking images gracing these pages and the author’s real-world advice for capturing and manipulating images will inspire you to create your own HDR magic. So Trey also includes his simple and straightforward tutorial that teaches you everything you need to know to make your own HDR photographs, whether you’re a beginner, amateur, or professional. A unique blend of practical and inspirational, this book features

  • a breathtaking collection of HDR photographs
  • engaging explanations of how the author achieved the image
  • expert tips for achieving stunning results (and avoiding common mistakes)
  • a foolproof HDR tutorial and software recommendations

  • Amazon Sales Rank: #24770 in Books
  • Brand: Peachpit Press
  • Published on: 2009-12-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.50 pounds
  • Binding: Paperback
  • 216 pages

Features

  • A breathtaking collection of HDR photographs
  • Engaging explanations of how the author achieved the image
  • Expert tips for achieving stunning results (and avoiding common mistakes)
  • A foolproof HDR tutorial and software recommendations

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Customer Reviews:

More artsy than technical3
Trey Ratcliff, aka StuckInCustoms, finally released his new book, “A World In HDR”. Ever since he announced that he was writing a book, I couldn’t wait to get it. I’ve been following Trey on his website and drooling over some of his wonderful images he’s taken during his travels for quite a while now. I even use some of the techniques he discusses in his tutorial, which has really helped my processing. He’s a big influence on my work. I think I signed up to get it on Amazon back in August. It finally came on Friday last week and I just finished reading it a day or two ago. Now take what I’m about to say with a grain of salt. This is my first book review and I still consider myself an intermediate photographer. With all of that said, here’s what I think:

Overall, I’m a little disappointed. Maybe my expectations were way too high, but I really don’t think so.

The book starts out with a chapter on what High Dynamic Range photography is and how your brain interprets light. He explains that the eye darts around quickly, taking in different levels of light and how your brain puts the different light levels together in a sort of snapshot, giving you a vision of the scenery around you that a normal camera cannot possibly express in one snap of the shutter. The next chapter quickly explains how art forms evolve, such as music, and how HDR is evolving photography. In these two chapters, he uses words such as “synethesia” and “eleemosynary” and speaks about art quite well, but that’s not for my taste. I’m pretty simple and just want to get to the meat and potatoes of how to do it. Time to break out the dictionary. He then very quickly begins his showcase of amazing images and where he was when he took them.

The photography is stunning to say the least. He is certainly a pioneer in this medium. Some of my faves include, “The Magic of Disney”, “The Icy Pit to Hell”, and “Hong Kong From the Peak on a Summer’s Night.” Shots such as these fill the pages through chapter 4 and make up the bulk of the book. The descriptions of his images are a fun read. Trey has a wry sense of humor that I enjoy. When he talks about his Russian tent-mate Yuri or explains the steps you need to take to get a shot inside of a cathedral, I snickered a little too loudly.

Also included with the image on each page is a little technical blurb in red italics that tells you what he did in that particular photographic situation as far as f-stop, iso or even possibly processing. However, it’s not too in-depth and most of this technical info does not explain the actual settings he used in the software, save for maybe a couple of shots. He really wants you to try to figure it out on your own for the most part. I was hoping for more things like how much luminosity he used, did he used LucisArt in this one, did he use other software in that one. Again, great shots, but not much technical info.

Speaking of technical, chapters 5 and 6 go into his tutorial and other software recommendations. His tutorial in chapter 5 is fantastic. After his instruction, one could really process photos into HDR quite easily. However, it’s the one you can get on his website for free, except for a couple of minor updates. That was another little disappointment. The only new thing I found here is that he changed the opacity of the brush tool for masking from 30% on the tutorial on his website, to 50% in the book. He also explains double-tonemapping, which is new as far as I can tell. That’s about it. Chapter 6 also reviews some other software that he uses and those reviews can be found on his website as well.

That’s it! No conclusion or anything. So overall, I think it’s a good book, but disappointing at the same time. I think the tutorial should’ve been more toward the beginning of the book. I think this would help prepare the reader with a foundation of what he did in some of the images where he actually does talk a little about the processing he performed. Also, I really expected this book to include more about the actual settings he used in the software while processing each image and what other camera settings he used. I remember watching one of his videos in Atlanta where a person he was with asked him what bracket settings he would use in a particular situation. He would say something like (I’m paraphrasing), ” I would bracket at -1 to +1 here because of this type of light.” THAT’s the kind of stuff I was looking for! I also really didn’t care for all of the artsy-fartsy references to Monet, Renoit and the like. But, this is an art form and I can’t really ding him for this. It’s just a little too high-falutin’ for me.

I guess I expected a technical book and what I got was an art book. My first clue should have been the title, “A World In HDR”. That is a good title since it really discusses just that.

It’s a great coffee table book and a great book for those getting started in HDR photography or have never heard of HDR photography. But, for those of us who have been doing this for a little while now, you can get just about everything in the book from his website. Not that that’s a bad thing, but unless you want to help him by buying his book as a thank you for the work he’s brought to the world, you may just want to stick with his StuckInCustoms website.

Wish I hadn’t ordered book2
I just received Treys new HDR book. I was very disappointed. I thought the book was a technical how-to. I love his HDR Photos and regularly visit his web site. His book is a mostly a collection of his photographs with very little info on how to shot HDR photos.
I can see his work on his web site and don’t need his book.

Very disappointed in this book. Misleading2
If ever there was a reason to go check a book out in person before you buy, this is it. I waited for this book to come out. This was my one and only Christmas gift this year. Heaven knows how much Trey has hyped it on his website, Flickr, FB and Twitter. The cover shows a “seal” on the top left that says “Featuring The Award-Winning Exclusive HDR TUTORIAL” WOW!! It HAS to be good right? Wrong.

First off, it’s 210 pages long. Of those 210 pages, roughly 18 relate to this “Award Winning HDR Tutorial.” That leaves the rest for him to show us his “home movies” of his greatest shots (just ask him). Like someone else mentioned, most of these shots are already on his website, in larger than life sizes. Hey, I admire a healthy ego, but this book is kind of over the top for me.

Instead of showing HOW he did each of the 100+ pages of HDR photos that we are treated to, he tells us about getting up on catwalks and how popular he is and all the great places he’s been to. Super..

Which takes us to the Tutorial itself. Wow, not really helpful. Think of someone who is so impressed with his HDR work, that he doesn’t REALLY want anyone else to copy him.. Telling others “how to” do HDR photos.. That pretty much sums it up.

Tips like: “Smoothing. This important slider affects the HDRness of the shot. The more you move it to the left, the more psychedelic your imagine will be.” Thanks Trey..

On shooting your HDR sunset photo to follow along with in this award winning tutorial. Does he also show a sunset photo just for kicks? Or offer a download for photos so you can follow along?? Nope.. He shows us one of his favorite Times Square photos. How does this relate to the sunset we are supposed to be doing? It’s doesn’t.

So, take some pictures already!! Ha, set camera on auto-bracket and take 3 shots, -2, 0, +2. Of course my award winning Times square photo was taken with 5 auto bracket shots but I want to confuse you later, so I’ll work with 5 auto bracketed shots of Times Square and you work with 3 auto bracketed shots of some sunset. That way, I don’t have to “really” show you how I would do it, by using the very same setup or photos.. See that’s how this award winning tutorial and photo book goes. Most of the award winning tutorial pages are really 1/2 to 1/3rd of the page, as his Time Square photos takes up the rest of it. (Not to mention pg’s 178 and 179 are just one large award winning Times Square photograph.)

“What aperture should you use? Well, this (award winning) Tutorial doesn’t really advise on this sort of thing, but f/9 or /10 should keep everything is focus.”
In all honestly, aperture is not one of the things I’m wanting to know about. Again, would have been nice to see more screen shots of the different HDR apps and settings he used to achieve them.

Honestly, I have nothing against Trey or HDR. If your a SIC fan, this is a great book for you. If you’re looking for an “Award winning HDR Tutorial, this is NOT the book you seek.

I own both Photomatix pro and Dynamic-Photo HDR. I was hoping this would really be an asset in learning more about HDR, It’s not. Both programs offer far more help in their FAQs.

I feel like I was sold something I wouldn’t have bought had I been able to look through the tutorial first. It’s my fault. I fell for Trey’s hype instead. I live in a small town in a remote area. The local “book” store sells newspapers. If you are a fan of Trey, you have already seen all these HDR photos, trust me. There really is nothing new here. It’s no wonder Amazon is showing so many for sale as used.

I would have given this one star, but I don’t want to be that guy. Besides, Trey’s given me a whole new respect for Ken Rockwell.

Oh well, looking forward for my Sham-wow to come, heard they are great..

From the Back Cover
High dynamic range (HDR) photography lets you capture the myriad colors and levels of light that you can see in the real world, and the results are amazing photographs that run the gamut from super real to surreal. Explore this fantastic realm of photography through the unique vision of renowned travel photographer Trey Ratcliff. In this book, Trey shares his phenomenal HDR photographs as well as all the backstory on the adventurous circumstances of their origin. He also reveals the techniques he used to get the final shot. The breathtaking images gracing these pages and the author’s real-world advice for capturing and manipulating images will inspire you to create your own HDR magic. So Trey also includes his simple and straightforward tutorial that teaches you everything you need to know to make your own HDR photographs, whether you’re a beginner, amateur, or professional. A unique blend of practical and inspirational, this book features

  • a breathtaking collection of HDR photographs
  • engaging explanations of how the author achieved the image
  • expert tips for achieving stunning results (and avoiding common mistakes)
  • a foolproof HDR tutorial and software recommendations

About the Author

The New Encyclopedia of Modern Bodybuilding : The Bible of Bodybuilding, Fully Updated and Revised

The New Encyclopedia of Modern Bodybuilding : The Bible of Bodybuilding, Fully Updated and Revised-Retail $29.99! Sale Only $19.79!

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The New Encyclopedia of Modern Bodybuilding : The Bible of Bodybuilding, Fully Updated and Revised Description:

From elite bodybuilding competitors to gymnasts, from golfers to fitness gurus, anyone who works out with weights must own this book — a book that only Arnold Schwarzenegger could write, a book that has earned its reputation as “the bible of bodybuilding.”

Inside, Arnold covers the very latest advances in both weight training and bodybuilding competition, with new sections on diet and nutrition, sports psychology, the treatment and prevention of injuries, and methods of training, each illustrated with detailed photos of some of bodybuilding’s newest stars.

Plus, all the features that have made this book a classic are here:

  • Arnold’s tried-and-true tips for sculpting, strengthening, and defining each and every muscle to create the ultimate buff physique

  • The most effective methods of strength training to stilt your needs, whether you’re an amateur athlete or a pro bodybuilder preparing for a competition

  • Comprehensive information on health, nutrition, and dietary supplements to help you build muscle, lose fat, and maintain optimum energy

  • Expert advice on the prevention and treatment of sports-related injuries

  • Strategies and tactics for competitive bodybuilders from selecting poses to handling publicity

  • The fascinating history and growth of’ bodybuilding as a sport, with a photographic “Bodybuilding Hall of Fame”

  • And, of course, Arnold’s individual brand of inspiration and motivation throughout

    Covering every level of expertise and experience, The New Encyclopedia of Modern Bodybuilding will help you achieve your personal best. With his unique perspective as a seven-time winner of the Mr. Olympia title and all international film star, Arnold shares his secrets to dedication, training, and commitment, and shows you how to take control of your body and realize your own potential for greatness.

    • Amazon Sales Rank: #1202 in Books
    • Published on: 1999-11-05
    • Original language: English
    • Number of items: 1
    • Binding: Paperback
    • 800 pages

    Features

    • ISBN13: 9780684857213
    • Condition: USED – VERY GOOD
    • Notes:

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    Customer Reviews:

    Reasons to Buy This Product5
    1) Comprehensiveness -
    There’s not a single book that can boast of the same overall coverage of bodybuilding that this one can. Let’s say you aim to take several college courses to assist your bodybuilding knowledge; you’d still have to take one introductory one, one in simple nutrition, one in advanced nutrition, one in general kinesiology, one in exercise physiology, one in advanced exercise physiology, and so on and so forth. The same applies to most other books. This encyclopedia, at 800 chocobloc pages, covers beginner-intermediate and mildly advanced ground comfortably and in a handy cross-indexed reference method, with additional tips thrown in from the man who brought the sport out of its shell: Arnold Schwarzennegger.

    2) Value for Money -
    800 pages at 17 bucks is a steal. I ordered this item, and with ground shipping had the cost add up to about $21 dollars. Still cheap for an 800 page compendium!

    3) Above and Beyond -
    Aside from all the valuable textbook-style knowledge, you’ll also get Arnie’s own special inputs (of course updated in 1998), a nice glimpse at bodybuilding history, some tips on basic supplementation and a great section to help you if you’re a competitor. The book is stacked with personal tips; chances are they’ll help you pack on muscle faster than before.

    4) Indirect Value -
    The book also has an indirect value. If you’re one of those people who buys muscle magazines for your routines and info, you can happily junk that nonsense. First of all, muscle magazines get kind of tiring, with their ‘NEW AND HOT OFF THE SHELVES’ this-and-that every month, their juiced-up routines and their annoying Muscletech ads, and, Weider-endorsed or not, they have a hell of a lot less credibility. With Arnold’s guide in hand, you can say goodbye to dollars wasted on muscle mags for unhelpful information.

    Finally, I just want to answer the very few people who’ve criticized this product on account of the fact that Arnold would severely overtrain back in his days, both on account of limited knowledge at the time and his excessive steroid habits. I’ve read the book cover-to-cover, referred to it several times, know it pretty much inside-out, and I can’t find ONE instance where his preaches this overtraining. Whether this is because of the recent update or not, Arnold actually warns against being ‘too enthusiastic’ as this can hinder your gains, and devotes a few pages to the overtraining issue. Obviously the few that have criticized the encyclopedia based on Arnold’s other work (namely “Bodybuilding for Men”, which glosses over nutrition and recommends a highly juiced training schedule), have never actually gone through this book.

    So in short, buy the damn book! It’s cheap, it’s huge, it’s handy, and it’ll help you get bigger like no amount of supplements can.

    The Gospel of Arnold.5
    I have been weight training for five years and can not stress enough the value of this book. For the first three years I listened to personal trainers and a few friends doing a fairly normal workout routine to change my overweight body. This produced little to no results. I met a bodybuilder two years ago that was a big Arnold fan and unknown to myself he gave me Arnold’s beginner workout program. I started seeing results; however, I eventually stopped the program because I had hit stagnation. I did not have access to anything that would show me how to push my limits even further, just what “the trainers” told me again. Basically your average medium sets, medium reps, and circuit training workout programs. Enough to keep my current weight stable with the prospect of shedding a few pounds and to gain small amounts of muscle over the long term. The don’t overtrain mentality 3-4 times a week! Great for some!

    I wanted more, I’m human. Eventually I called up my then bodybuilding “personal trainer” friend and he reluctantly revealed to me this book; “his secret”, that is actually available to everyone. I picked it up and started following Arnold’s next program level. More results. I am now into the advanced programs and never felt healthier or happier with my body and can honestly say I have greater control over my physical appearance than I ever imagined possible. People that claim this book will overtrain you I do not believe have looked at the entire book or fully understand Arnold’s fundamental arguments. Perhaps unfortunately they are also looking out for their own interests. We can’t blame them though, they are human!

    The beginner programs in this book used with proper weight for your body will show results and should not even come close to overtraining if you are using low weight. Yes, 6 days a week! What about time? If you have a career or have kids Arnold says wake up early. He asks how serious are you about wanting to change and control your body or what are your goals? I can not stress that enough and Arnold makes it clear to push yourself to realistic goals! Do not dive into the deep end. A good section in-directly speaking to overtraining (besides the one devoted to the topic) is the one on bodytypes. For example, Arnold’s information tells you; If you have a natural athletic body you can probably start a bit harder. Where as an endomorph (gains fat easily) may want to focus on cardio more and getting up their energy level and fatigue resistance.

    I would even argue a beginner could use his low level advanced programs lifting “the appropriate” level of weight and make gains without over-training. For example, let us pretend “joe beginner” can bench 100 pounds over 4 – 8 reps. When Arnold says do 6 sets of Bench presses starting with 15 reps he means start way lower than what you can do, maybe at 25-30 pounds, maybe 40 on a high enegry day and end on the 100. Eventually when fully rested, following that beginner level pyramid, doing 100 pounds for 4-8 reps will be a joke. Realize how many sets and exercises he is telling you to do and adjust accordingly! Don’t start at 90 and then try and go to 150, you’ll be dead for the next exercise, and will over-train! Lets say someone can bench 30 pounds for 4 – 8 reps, start at 8. For his programs to work, you have to suck up the pride and go as low as is necessary to not overtrain but finish the workout(This is all covered in his beginner section!). I have a secret for you..no one in the gym cares about how much your lifitng and if they do, you shouldn’t. Arnold also mentions many other similar mind over body / environment ideas.

    Negative reviews also mention Arnold took steroids. I imagine he did but steroids should never be used*. I believe Arnold’s program can be used completely without supplements and give results. However, taking protein, glutamine, and some of the other modern supplements may help if you are feeling over-trained. If you are still, despite the supplements, as I said before lower the weight. Some bodies need supplements (sorry did I say supplements? Should have said “a proper diet”!). This is an unavoidable reality if you are burning over 1000 calories a day on training. Like Arnold points out look at safe supplements more like food (because that is where most modern supplements come from). If you are taking CLA, protein, vitamins, and appropriate amino acids you are really only altering your diet. Arnold’s book does provide diets that will be giving you all these “supplements”. (*Arnold makes it explicit that fat burners are fake enegry and steroids are off limits).

    The core idea behind Arnold’s message that some reviewers are missing is that to achieve success and change your body takes dedication, alot of hard work, and a long-term plan (a plan from this book, an expensive trainer, or maybe your own probably misinformed ideas). Arnold provides that plan for a minimal price compared to what “the trainers” will offer! Sure he makes some “scientific” mistakes. But if you wanted to learn how to fight would you rather learn from Bruce Lee or an exercise physiologist? Would you tell Bruce his ideas about kicking are wrong because it is impossible to be like a tiger? The same practicality / ideas in practice are needed in bodybuilding; as Arnold suggests look at it like an art. Scientists can tell you what they want but ultimately you have to push your body to the limits to get results. There is no such thing as a “genetic freak”, I haven’t seen any mutants around the gym lately, just people that know what they are or are not doing. Sure our genes dictate our predispositions but our free egos allow us to influence our own mind and consequently bodies.

    Following Arnold’s advice, eventually going to the gym 6 days a week will be heaven and not hell. The pain of a heavy workout will be welcome and your body will adapt and recover faster than you ever would believe possible, leaving you with energy you never thought you could have. Arnold’s book is a good place to start for any person wishing to change their life and body. Just read it carefully and understand the principles.

    The Ultamate bodybuilding reference!5
    This book has it all. It really is an encyclopedia… It covers the history of bodybuilding, nutrition and diet, posing and competition, and of course…training techniques. It goes over each muscle group in detail. If you want to know which exercises to do in order to build up a certain muscle, it lists several type of movements and explains what effect those movements will have on the muscle (ex. working the upper pecs vs. working the lower pecs). Many pages are devoted to each muscle, not just one or two like in other books. -In addition, topics such as motivation and intensity are discussed, key elements for any serious weight lifter/bodybuilder.

    Aside from its content, this book is well organized. You can easily pinpoint your area of interest using the table of contents. This is very helpful if you intend to use this as a reference as I do. I have personally read about ¾ of the book. However, I am often reaching for it when I want a quick answer or am looking for a different twist on something.

    In case you are wondering, this book has a ton of pictures of Arnold and other known bodybuilders. Some illustrating exercises, others of guys working out in the gym. I would say about 1/3 of the book is composed of pictures.

    Amazon.com Review
    Arnold Schwarzenegger hasn’t competed as a bodybuilder since he won the Mr. Olympia title in 1980, but he remains the sport’s No. 1 icon. He hosts an annual bodybuilding contest in Columbus, Ohio, and allows a column to be ghost-written under his name in a muscle magazine. Today’s bodybuilders may have bigger muscles than Arnold ever did, but everyone inside and outside the iron game gives him credit for exponentially broadening the popularity of physique training.

    With this updated Encyclopedia (it was originally published in 1985), Schwarzenegger wraps his huge arms around the entire sport. He hits the history of bodybuilding, the champions (he’s quite generous in his praise of predecessors, contemporaries, and successors alike), the training systems. Some of the information is more bodybuilding lore than science; for example, exercises are said to “expand the rib cage” or develop the “inner” or “outer” chest, all physiological impossibilities. But they’re still good exercises, and the book includes every movement imaginable for every muscle group.

    If you love the sport of bodybuilding, you’ll want this book in your library, if for no other reason than to feast your eyes on the hundreds of photos of the best physiques in the history of the sport. And, in a pinch, the 800-page encyclopedia can fill in nicely for a missing dumbbell. –Lou Schuler

    About the Author
    Arnold Schwarzenegger has won more bodybuilding titles than anyone else in the world, including seven Mr. Olympia titles and three Mr. Universe titles. He has also won international fame as a movie superstar. He lives in Los Angeles with his wife, Maria Shriver, and their four children.

    Excerpt. © Reprinted by permission. All rights reserved.
    Foreword to the Second Edition

    Who would have thought that anyone could compile an encyclopedia on bodybuilding and resistance training, let alone one more than six hundred pages long? After all, how much is there to say about hoisting heavy metal plates? Bodybuilding isn’t, as they say, rocket science.

    Well, many people take exactly that approach when they begin a bodybuilding program; I know because they’re easy to spot at the gym. Such individuals generally load excessively heavy weights on a bar, heave the iron with whatever form it takes to get the weight up (with an extra thrust from the lower back for good measure), and then let the bar come crashing down. That’s not bodybuilding! Strong on desire but short on smarts, these folks are either sidelined by an injury or often will give up quickly because they aren’t seeing any significant results from all the work they’re doing.

    The truth is, it doesn’t take a Ph.D. to learn the complexities of bodybuilding, but neither does it come as naturally as, say, riding a bike. Heck, the bodybuilding vocabulary is like a foreign language: pyramid training, gastrocnemius, negatives, periodization, instinctive training, spotting. Learning the many distinct elements of resistance training, from the hundreds of unique exercises and variations to understanding how to put together a results-producing workout, all take time and practice. To make progress at the fastest rate possible, you’ve simply got to know what you’re doing.

    If you’re rich enough to afford $50 (or more) an hour for a personal trainer you might be able to get away with being a bodybuilding dumbbell. Or, for about the price of a single session, you can invest in this encyclopedia and reap a lifetime of gains that’ll start with your very next workout.

    Many people forget that I, like you, was once a beginner, and started building my body and my career standing in exactly the same position you are right now. If you find that difficult to believe, there’s a selection of photos from my teenage years that will show how far I had to come, how much work I had to do. What made me stand apart from my peers, though, was a deep, deep desire to build muscle and the intense commitment to let nothing stop me. Along the way I made countless mistakes because the only guidebooks I had were a couple of Joe Weider’s English-language muscle magazines, and I didn’t even speak the language! The magazines inspired me to learn English so I could follow my early idol Reg Park’s routine. Still, the magazine could teach me only some rudimentary concepts; everything else was done by trial and error.

    Experience, however, is the best teacher as long as you learn from your mistakes. When I began, I trained biceps far more intently than I did triceps, a larger muscle group. I pretty much skipped ab training altogether because that era’s conventional wisdom dictated that the abdominals received enough stimulation during many heavy compound movements. I put so little effort into calf training in those early years that when I finally came to America, I was forced to redouble my efforts. I even went so far as to cut off the pant legs on my training sweats so that my calves were constantly visible and under scrutiny — a constant reminder to me that my weaknesses deserved greater attention. Nor did we have many machines available; I never used a leg curl or leg extension during my first years as a bodybuilder. Most of all, though, I was handicapped by my lack of knowledge; my catalog of exercises to shape the total body consisted of just a few movements. Fortunately, with this book, you don’t have to make the same mistakes I did.

    You’ll find, as I did, that building muscle builds you up in every part of your life. What you learn here will affect everything else that you do in your life. As you witness the fruits of your labor, your self-worth and self-confidence improve, and these traits will color your work and interpersonal relationships long past your competitive days. I credit bodybuilding with giving me not just physical attributes but also with laying the foundation for everything else I’ve accomplished — in business, acting, even family. I know I can succeed in anything I choose, and I know this because I understand what it takes to sacrifice, struggle, persist, and eventually overcome an obstacle.

    Even today, many of the people I work with comment upon my commitment; when I’m making a movie, I’m ready to do a difficult scene over and over again until we get it right. Why? It all comes back to discipline. If you make a commitment to better your physical health, you’ll find the same self-discipline, focus, and drive for success carries through into the rest of your life’s activities. Though you may not realize it now, you’ll eventually recognize it when you take the same disciplined approach in tackling a particular challenge. That’s another reason I’m so enthusiastic about what bodybuilding can do.

    This book is not a biography, not the story of my life as a seven-time Mr. Olympia winner or even a history of my life as an actor. (If you’re interested, you can find all that elsewhere.) Though I’m known mainly as a bodybuilder-turned-actor and businessman, on various occasions I’ve been able to take on another role, one that brings me the greatest amount of personal pride, and that’s the role of teacher. That’s why I published the original encyclopedia in 1985 and have continued my close association with the sport. In the years since that first publication I’ve been collecting, studying, and revising information for this expanded and updated reference. That I can say I was able to inspire a generation of men and women of all ages to take charge of their health and fitness is truly gratifying. From the couple of dozen students of bodybuilding who heard me give a seminar in the mid-1970s at a Santa Monica gym, to the elementary and high schoolers I tried to empower to exercise when I traveled to all fifty states as chairman of the President’s Council on Physical Fitness and Sports, to the less fortunate who compete in the Inner City Games throughout the year and the developmentally challenged who participate in the Special Olympics, to the readers of my weekly syndicated newspaper column and the ones I write in the muscle magazines, to you the reader of this encyclopedia, you are all very much the reason I’ve undertaken this gargantuan effort. I am indeed grateful that you’ve chosen me as your teacher.

    That I can share with you my greatest passion in the world, which is truly the only real secret to health, longevity, and a better quality of life, has made this book an endeavor of absolute necessity — and joy! Bodybuilding is my roots, and I will continue to promote the sport and spread the word through my work.

    I’ve accumulated more than thirty-five years of bodybuilding experience, including tens of thousands of hours training with the world’s top bodybuilders from yesterday, like Bill Pearl, Reg Park, Dave Draper, Frank Zane, Sergio Oliva, and Franco Columbu, to the champions of today, including Flex Wheeler, Shawn Ray, and eight-time Mr. Olympia, Lee Haney. I’ve studied the writings of the predecessors to modern-day bodybuilding, some of which date back more than a century, including Eugen Sandow’s System of Physical Training (1894), the United States Army’s Manual of Physical Training (1914), and Earl Liederman’s Muscle Building (1924). I’ve interrogated the world’s pre-eminent exercise scientists, researched questions from students at seminars I’ve given on all the major continents from Africa to Asia to South America to more recent ones I hold each year in Columbus, Ohio — and poured every ounce of that knowledge into this encyclopedia. With this reference book, which is designed for students ranging from rank beginners to competition-level bodybuilders to athletes looking to improve their performance to those who simply want to look better and be healthier, readers are free to pick through the expansive knowledge its taken me so many years to accumulate.

    In one sense, I feel like a doctor on call who is continually asked for expert advice. A skier in Sun Valley asked me recently how to build quad strength and muscular endurance to improve his performance; at a health convention, several people inquired about the latest on the muscle-building properties of creatine; at Wimbledon, a top tennis champion wanted some advice on building his forearm strength; on vacation in Hawaii, a woman came up to me and asked what she could do to lose a hundred pounds of body fat and keep it off, at seminars, young bodybuilders want to know how to put a peak on their biceps and improve their outer-thigh sweep; when speaking to military personnel, I’m commonly asked how to get more out of training with just very basic equipment. Every day I’m asked questions on topics ranging from vitamins A to zinc, to the need for rest and recuperation, to the false promises of performance-enhancing substances. This is why I decided long ago that if I was going to spread the gospel on the benefits of bodybuilding I’d absolutely have to stay current with the material.

    That’s been no easy chore. Evolution in bodybuilding has occurred at the speed of light, both at the competitive level and among recreational athletes. Those who simply write that off as due to a greater use of anabolic drugs fail to see what’s taken place in the industry. Muscle-building exercise, long scoffed at by coaches who claimed it made you musclebound and inflexible, has come under intense scrutiny by researchers. In fact, the science of resistance training is really becoming a science as exercise scientists verify what we bodybuilders have been working out by trial and error for years. That’s not to say we didn’t know what we were doing; on the contrary, early physique champions were pioneers in the health and fitness field, planting the seeds of development for each generation that followed. We coined such phrases as “No pain, no gain,” words that every bodybuilder today knows and understands.

    Though science is showing us how best to manipulate the…

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  • Just a Geek

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    Just a Geek Description:

    Wil Wheaton has never been one to take the conventional path to success. Despite early stardom through his childhood role in the motion picture “Stand By Me”, and growing up on television as Wesley Crusher on “Star Trek: The Next Generation”, Wil left Hollywood in pursuit of happiness, purpose, and a viable means of paying the bills. In the oddest of places, Topeka, Kansas, Wil discovered that despite his claims to fame, he was at heart Just a Geek.In this bestselling book, Wil shares his deeply personal and difficult journey to find himself. You’ll understand the rigors, and joys, of Wil’s rediscovering of himself, as he comes to terms with what it means to be famous, or, ironically, famous for once having been famous. Writing with honesty and disarming humanity, Wil touches on the frustrations associated with his acting career, his inability to distance himself from Ensign Crusher in the public’s eyes, the launch of his incredibly successful web site, wilwheaton.net, and the joy he’s found in writing. Through all of this, Wil shares the ups and downs he encountered along the journey, along with the support and love he discovered from his friends and family.The stories in Just a Geek include:Wil’s plunge from teen star to struggling actorDiscovering the joys of HTML, blogging, Linux, and web designThe struggle between Wesley Crusher, Starfleet ensign, and Wil Wheaton, author and bloggerGut-wrenching reactions to the 9-11 disasterMoving tales of Wil’s relationships with his wife, step-children, and extended familyThe transition from a B-list actor to an A-list authorWil Wheaton–celebrity, blogger, and geek–writes for the geek in all of us. Engaging, witty, and pleasantly self-deprecating, Just a Geek will surprise you and make you laugh.

    • Amazon Sales Rank: #15292 in eBooks
    • Published on: 2009-02-24
    • Released on: 2009-02-24
    • Format: Kindle Book
    • Number of items: 1

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    Customer Reviews:

    Not just for Star Trek fans4
    If you wish you could be a famous actor like Wil Wheaton, after reading this book you might understand that being a famous actor is not all cracked up to be. This is a guy who has had a hit movie and a hit TV show. Not many actors can claim one of each, and yet, he suffers the life of a “has been” and doesn’t enjoy the riches we all think famous actors of hit stuff enjoy for a lifetime.

    This guy has impressed me with his brutally honest autobiography. The people and industry he speaks of are the people you and I are likely to have heard of. It’s the kind of stuff that could get you kicked out of Hollywood for good.

    Why would anyone want to read an autobio about a guy on a couple of hit shows who is a blogger? I can’t answer that, but I can tell ya it is great reading. The people who would like this book are geeks, bloggers, Star Trek fans, famous people fans, actor wanna-bes, parents with step-kids, and Shatner haters.

    Despite his being celebrity, he’s a guy who faces problems many of us do. Financial, a difficult ex who is no help with the kids, balancing a career and family, and finding the right job.

    His writing style is candid, conversational and comes across like a friend who is talking to you. Since he and I are parents, must mention that he uses a few cuss words. If you like his blog writings, you’ll like this book – without question. However, if you’ve read every blog entry he has done, you’ve read most of this book. Furthermore, if you’ve read Dancing Barefoot, you’ve caught about a chapter’s worth of this book.

    Trek fans, don’t expect an entire book on his life as Wesley. Wheaton, the actor fans, don’t expect an entire book about acting although it covers a bit. WWdN, you’re getting exactly what you see in his blog.

    He might be famous and a hotshot blogger, but he has lived through many things you and I have, too. That’s what makes the book a delight. This review may sound like one from a groupie, but my responsibility is to readers not to Wheaton. My only disappointment was “re-reading” the “Saga of Spongebob Vegaspants” since this was already covered in Dancing Barefoot.

    Not what you would expect5
    This book is a frank, straight up look into Wil Wheatons life and transformation from actor, to writer (and believe me there is a lot that happens in between that transformation). I highly recommend this book, whether you are a Star Trek fan or not, its a book about simply being a loving, caring, individual.

    Even Non-Trekkies Will Warm to Wil5
    Although Wil draws on his experiences during and after Star Trek for this book, it’s not a celebrity memoir or similiar plea for attention. Just a Geek is a real-world story of one guy’s struggles to be a good person/husband/father/actor/blogger/geek — basically what we all deal with to some degree or another — but funnier than heck. Wil Wheaton has great comic timing and a refreshing willingness to poke fun at himself and his mistakes.

    And even though Trek isn’t all this book is about, if you’ve ever attended a SF convention or watched Trekkies read this book for a glimpse of the actor’s lives behind the scenes.

    I never bother to get writers to sign their books, but if I ever get the chance to meet Wil, I’ll ask him to sign my copy. Brilliant stuff.

    Review
    “A cleverly constructed and vivid collection of memoirs with flashes of brilliant wit, this title betters even Dancing Barefoot.” – Paul Hudson, Linux Format, Nov (top stuff award)

    About the Author

    Wil Wheaton may be one of the most unusual celebrities of our time. Born into stardom with the movie “Stand By Me”, and then growing up on television as Wesley Crusher on “Star Trek: The Next Generation”, Wil was in the spotlight nearly his entire childhood. Instead of burning out as a child star, he left fame behind and became a computer specialist in what Hollywood might consider the middle of nowhere: Topeka, Kansas. Now, Wil considers himself “just a geek”, and both Dancing Barefoot and the forthcoming biography Just a Geek are about his journey in rediscovering himself and coming to terms with what it means to be famous, or, ironically, famous for being previously famous.

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    BRS Pathology, North American Edition Board Review Series

    BRS Pathology, North American Edition Board Review Series-Retail $39.95! Sale Only $35.60!

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    BRS Pathology, North American Edition Board Review Series Description:

    BRS Pathology, one of the flagship titles in the best-selling Board Review Series, is the best pathology review resource available for the USMLE Step 1 exam. The concise and well-organized text helps students identify major pathological concepts deserving special emphasis. The book’s more than 450 USMLE-style review questions appear as chapter reviews and an end-of-book comprehensive exam. All questions include answers and full explanation sections for students’ easy use and review. The Fourth Edition features full-color text and 75 additional full-color photographs to guide students to visual mastery of pathologic diagnosis. A companion Website provides the fully searchable text and all the questions in the text through an interactive question bank.

    • Amazon Sales Rank: #4005 in Books
    • Published on: 2008-10-01
    • Original language: English
    • Number of items: 1
    • Binding: Paperback
    • 464 pages

    Features

    • ISBN13: 9780781779418
    • Condition: NEW
    • Notes: Brand New from Publisher. No Remainder Mark.

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    Customer Reviews:

    Vital – get it!5
    For 99% of medical students, this book is essential. BRS Pathology provides a framework that will help you better understand course lectures and materials. It helps provide the “big picture” as a great deal of path is condensed into a few pages a section, with the most important (and board relevant) details. You can do well with simply BRS Path, your course materials, and Google to fill in the gaps. An efficient method I discovered late in the year is to write additional facts straight into the book, and review from that.

    What about Robbins? Yes, Robbins has it all, and I gave it a glowing review, but it’s good to be honest with yourself if you have the time. I bought it, but didn’t use it as much as I liked due to time pressures. (So buy Robbins in addition to BRS Path if you have the money or if you study incessantly and want to work straight from it.)

    Questions: there are questions at the end of each section. They seem easy after you’ve just reviewed the material, yet they’re still good for solidifying info/ immediate feedback, or for going to later to assess your retention. There is also a “comprehensive exam” at the end.

    Old editions: Newer editions have not changed much content-wise, I think the layout of the newer edition is nicer, but you can get away with an older (cheaper!) copy for sure – I used the original, from 1993!

    A comprehensive review, readable, good tables4
    This book is written for Step 1 of the National Boards. This is a comprehensive review of pathology. The information is clearly written with the most improtant points in bold letters. This makes the matterial easy to absorb. In addition, the information is strictly categorized, and there is little irrelevant and wasteful writing. You will find this quick reading (for a comprehensive review) simply because of the way it is written. Furthermore, each chapter is followed with a short but thorough Q&A review section. Another additional feature is the frequent use of very useful tables, which often give a good understanding of a whole chapter. Although the book is thorough, I have never regretted having read it. I have found it useful even though I did not specialize in Pathology. It is enlightening in just about any general specialty one may be interested in. The book’s only short coming is its number of pictorials which are few and far in between.

    Better than Golgan5
    This book presents concise information yet it’s written in sentence form so it explains items at the same time. It’s not just a book of bullet points crammed into an outline form like the Golgan Rapid Review. Sure, it purposefully skips certain details but I feel if you read this book multiple times, you will understand Pathology better than most students. It’s so well written that it’s easy to read and you will get through chapters quickly. I highly recommend this book especially if you are someone who likes to understand what they read.

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    Number the Stars

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    Number the Stars Description:

    Ten-year-old Annemarie Johansen and her best friend Ellen Rosen often think of life before the war. It’s now 1943 and their life in Copenhagen is filled with school, food shortages, and the Nazi soldiers marching through town. When the Jews of Denmark are “relocated”. Ellen moves in with the Johansens and pretends to be one of the family. Soon Annemarie is asked to go on a dangerous mission to save Ellen’s life. An ALA Notable Book. A “School Library Journal” Best Book of the Year. Teacher’s Guide. BDD Online-Teacher’s Resource Center.

    • Amazon Sales Rank: #1420 in Books
    • Published on: 1998-02-09
    • Released on: 1998-02-09
    • Original language: English
    • Number of items: 1
    • Binding: Mass Market Paperback
    • 136 pages

    Features

    • ISBN13: 9780440227533
    • Condition: NEW
    • Notes: Brand New from Publisher. No Remainder Mark.

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    Customer Reviews:

    A Must-Read Regardless of Your Age5
    First I should say that I work in a bookstore. Since I hadn’t read a young adult book in nearly 30 years, I decided to read a few to learn what to recommend to customers. The first one I picked up was `Number the Stars.’ It blew me away.

    Lowry has written an incredibly moving account of the Jews in World War II Denmark. Annemarie Johansen worries what might happen to her Jewish friend Ellen Rosen as the Nazis capture and “relocate” all Jews. During this time, Annemarie learns about the power of evil, the strength of family, and the unbreakable bonds of friendship. Lowry does a masterful job of showing how Annemarie grows up before our very eyes in the way she interacts with her little sister Kirsti, her friend Ellen, and the ever present Nazi officers. Annemarie learns several lessons throughout the book that she’ll never forget. We won’t forget them either.

    This is an incredibly moving book. There are very few books that absolutely everyone should read. This is one of them.

    137 pages

    a must read book5
    This story is set in Denmark in 1943, during World War II. During that time Denmark was under Nazi occupation. The story tells about the life of two very close friends, Annemarie Johansen and Ellen Rosen, and their families. Living in Denmark during that time was very difficult. Nazi soldiers were on every street corner. There were food shortages and they were required to darken their windows every evening. One day, the Jewish families received word that the Germans were going to relocate all the Jews in Denmark. Since the Rosens were Jewish, Mr. and Mrs. Rosen were takin into hinding. Ellen went to live with the Johansens and pretended to be a part of the Johansen family. A few days later, Mrs. Johansen took her two daughters and Ellen to visit Uncle Henrik. The rest of the story is about the tremendous courage of Annemarie, Mrs. Johansen, Uncle Henrik, and Peter Neilsen and the trouble they endured to help their friends. I really enjoyed this book. It was very moving, suspenseful, and sad. Once I started reading it, I could not put it down. I highly recommend reading this book.

    An undeniable classic5
    Though I was a child when this book was first published, somehow I managed to avoid reading any Lois Lowry until 2003 (much to the shock of my friends). It was worth the wait. This story departs from the usual World War Two fiction genre by placing the story in a unique setting with a different perspective. Everything occurs in Denmark, and we see the story unfold through the eyes of young Annemarie Johansen. Though she is not directly threatened by the actions of the Nazis that have invaded her peaceful country, her best friend Ellen Rosen is. Annemarie must use her head to save her friend from the concentration camps while endangering herself. I was impressed with the fact that the threat presented by the Germans in this book was made real without relying on gory details. In this way, Lowry has created a book about the Holocaust that is appropriate for juvenile readers. Be warned: There is no perfectly happy ending at the end of this story (the reader is not absolutely certain that the Rosenbergs have escaped and are coming back) but it should satisfy most children. Well worth a read.

    Amazon.com Review
    The evacuation of Jews from Nazi-held Denmark is one of the great untold stories of World War II. On September 29, 1943, word got out in Denmark that Jews were to be detained and then sent to the death camps. Within hours the Danish resistance, population and police arranged a small flotilla to herd 7,000 Jews to Sweden. Lois Lowry fictionalizes a true-story account to bring this courageous tale to life. She brings the experience to life through the eyes of 10-year-old Annemarie Johannesen, whose family harbors her best friend, Ellen Rosen, on the eve of the round-up and helps smuggles Ellen’s family out of the country. Number the Stars won the 1990 Newbery Medal.

    From Publishers Weekly
    Set in Nazi-occupied Denmark in 1943, this 1990 Newbery winner tells of a 10-year-old girl who undertakes a dangerous mission to save her best friend. Ages 10-14.
    Copyright 1990 Reed Business Information, Inc.

    From School Library Journal
    Grade 3-7. The gripping story of a ten-year-old Danish girl and her family’s courageous efforts to smuggle Jews out of their Nazi-occupied homeland to safety in Sweden. Readers are taken to the very heart of Annemarie’s experience, and, through her eyes, come to understand the true meaning of bravery.
    Copyright 1997 Reed Business Information, Inc.

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    Seeking Spirits: The Lost Cases of The Atlantic Paranormal Society

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    Seeking Spirits: The Lost Cases of The Atlantic Paranormal Society Description:

    TV’s POPULAR GHOST HUNTERS REVEAL ALL-NEW, NEVER-BEFORE-TOLD STORIES FROM THEIR SPOOKY EARLY INVESTIGATIONS!

    For the first time ever, Jason Hawes and Grant Wilson, founders of The Atlantic Paranormal Society (T.A.P.S.), share their most memorable and spine-tingling early cases — none of which has ever appeared on television. Beginning with the previously untold experiences that sparked their passion for ghost hunting, Jason and Grant’s bone-chilling investigations uncover:

    • A Connecticut woman who seems to exist in two places at once

    • A little girl whose invisible playmate retaliates
    against her father’s punishments

    • A man overcome by an evil entity as Jason and Grant survey his home

    • A distraught woman who dreams of paranormal events
    before she experiences them…and much more!

    Jason and Grant didn’t always have the fancy scientific equipment and experienced team that fans now watch on their smash-hit television show. As they share their hair-raising first experiences, they offer essential tips for budding paranormal investigators — including how to use an electromagnetic field (EMF) meter and an infrared camera, determine if a supernatural phenomenon is good or evil, and deal with spirits. Whether you’re a skeptic or a believer, these fascinating and frightening true stories will keep you up at night!

    • Amazon Sales Rank: #8537 in eBooks
    • Published on: 2009-09-26
    • Released on: 2009-09-29
    • Format: Kindle Book
    • Number of items: 1

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    Customer Reviews:

    A very interesting read!!4
    If you’re a fan of the show Ghost Hunters, then you’ll need to pick this up. Over all it was a good read.

    There are a lot of good things about this book that were improvements over the last book. All of the cases are cases not seen on Ghost Hunters. That’s a big plus. The cases were new to us, and they were a very interesting read. Jay and Grant both cases where they had evidence of ghosts, and cases they debunked. After all, not every house they come to is haunted. The cases ranged from some that really broke my heart to cases that made me laugh out loud. All’s I’ll say is that on one of the cases, a guy was having a **really** good time. It was really neat to see how Jay and Grant debunked some of the cases. Some of the debunking cases, I’d like to have seen on the show, but they didn’t have the show back then.

    I also liked how Grant told us of his first real paranormal experience. I don’t want to say to much of it here because I don’t want to spoil it, but man, it was an interesting read. I wish him the best of luck on it. (You have to read that part of the book to know what I mean.)

    It was also interesting to see how Jay and Grant first met Krysten and Steve.

    I also like that part at the end of each chapter entitled, “Ghost Hunter’s Manual” This is the part were they tell tips of Ghost Hunting to people just starting out in the paranormal field. It was a really nice touch.

    For me, the book feel short in some places. One of the biggest places it fell short for me is the use of the word “globules”. We all know how they feel about orbs, and I’m glad they feel the way they do about them. For me, the problem is that Grant said how globules are signs of the paranormal. Grant gave a definition of the word “globules” and to me, it’s the same definition as the word “orbs”. The same thing. So how can “globules” be good, and “orbs” not be good.

    We know that TAPS really doesn’t do an investigation from a religious angle, which to me is fine. Again, the problem is that most of the cases, the guys will call in a “sensitive” to cleanse a house. According to them, it’s the only way to “cleanse” a house. However, in the show, the guys tell the family to “come together to get rid of the ghost”. To me is sounds like their covering their bases. Either you use “sensitives” or you don’t. You can’t have it both ways.

    In some of the investigations, we’re told that the guys collected EVP’s. I just wish we were told what the EVP’s said. That would have added so much to the book and hook the reader in further. Granted, on some of the cases, we did learn what the EVP’s were, but for most of the cases we’re never told what they said, rather, “we collected some EVP’s.”

    If you watched the show, we know that they bought an Inn, and it’s haunted. We get a lot of detail on that part of the book. I just feel that, that part of the book is awfully self serving. They know that people will come and want to investigate it, and I know that it won’t be cheap. Like I said, for me, it was very self serving on their part.

    This next part isn’t Jay and Grant’s fault, but this book needed a better editor. There were a lot of typos in it.

    One part I really liked, the “Lost Ghost Hunter’s Episode”. That was a very interesting read. It mentions once case that we’re told about on “Next week on Ghost Hunters…..” but it was never aired. Now we know what happened, and it was an interesting read. I really liked it.

    Over all, as I put, it has 4 stars. I like it, well, most of it. Is it perfect? No. That being said, if you’re a fan of the show and want to see the early days of TAPS and read about their investigations, then go and pick this book up. I doubt you’ll be sorry, I know I wasn’t. Overall, I liked it.

    Becoming a little skeptical concerning these guys.3
    First let me say as have others, I am a huge fan of the show and their investigative style. I have been heavily interested in the Paranormal for close to 40 years, and have read more on the subject than I can even begin to describe.

    When I found the show a few years ago I was gratified at the objectivity these guys and their crew displayed and the way they came at the cases, first attempting to debunk the claims of their clients as opposed to most who seem to see paranormal activity everywhere.

    I have seen and read others attempts to discredit Jason and Grants evidence saying most is hoaxed so as to boost ratings, I took much of this with a grain of salt. After all the team has been very succesfull on their television program, so some jealous negativity is expected to come their way. On to the book:

    I read Jason and Grants first book and enjoyed it immensly, but this second has caused me to rethink their entire group and the authenticity of TAPs as well as their claims. I dont take this position lightly, again I have watched, and continue to watch every show the Ghost Hunters put out.

    Reading this second book has me wondering how they were able to document the amazing claims on video that these cases present, while having such minor (in comparison) evidence show up on their tv program.

    This second book tells of the following Paranormal activities caught on tape: Small black figures stacking furniture at a clients home. A large menacing black mass hovering over the team for minutes while the cameras are rolling. Objects caught on tape it seems at every investigation moving around by itself. In fact the team even caught a extraterrestrial Grey peeking in a window, and then later presumably that same creature is caught on tape walking past a sliding glass door.

    Why do we not see this amazing evidence watching the Ghost Hunters on tv? The most amazing thing I can remmenber visually is a lamp at the Myrtle Plantation moving slightly over the course of an hour. Or a door closing here or there.

    This evidence they have reportedly documented in this book would be some of the most amazing footeage ever captured I would imagine. Again, they state they have captured small figures stacking furniture in a clients house and they have this on film!!! Huge Claims here!! Where is this evidence? Is it on their website? This should be dispalyed for all to see.

    The book is a fun read and it holds your interest throughout, I just am very dissapointed in the doubts it has given me as to the teams truthfullness.

    I will continue for now to watch the show.I am not sure I will buy the Ghost Hunters next book.

    I truly Hope Jason and Grant address my concerns,as I am sure I am not the only long term fan who is beggining to doubt.

    Disappointing Second Effort2
    Disappointing second effort from the TAPs guys. I looked forward to this for months, read it the first day I got it and was really disappointed at the end. In my opinion, despite a couple of good things, there were more cons than pros with this book.

    Pros:

    Grant’s telling of his first paranormal experience

    Colour pictures insert, although some of the pictures were not very good quality.

    Cons:

    One or two of the same stories in this as in a former TAPs member’s book – Paranormal Realities

    Stories were very very short. In fact, I hesitate calling them ’stories’… they were almost summaries, in my opinion.

    As a long-time fan of GH (have watched every single ep), I really don’t need the info injected between the stories about EVPs, etc. I would have preferred that all to be at the end so I could skip it easier.

    I do hope that there will be a third book, one with more meat on its bones. Only time will tell.

    Review
    “One could not have two better guides than Jason Hawes and Grant Wilson when it comes to understanding the permeable membrane between our world and the one inhabited by paranormal entities. Seeking Spirits is must-reading for those who have experienced supernatural phenomena or those who have a passing curiosity about ghosts. Hawes and Wilson educate about the science of their field while relating compelling personal experiences, and gently remind us that being a ghost hunter is not just about understanding the dead, but about helping the living explore the parameters of this world.” — JODI PICOULT, New York Times bestselling author of Handle With Care and My Sister’s Keeper

    About the Author
    Michael Jan Friedman is the author of nearly sixty books of fiction and nonfiction, more than half of which bear the name Star Trek or some variation thereof. Ten of his titles have appeared on the New York Times bestseller list. He has also written for network and cable television, radio, and comic books, the Star Trek: Voyager® episode “Resistance” prominent among his credits. On those rare occasions when he visits the real world, Friedman lives on Long Island with his wife and two sons.

    He continues to advise readers that no matter how many Friedmans they know, the vast probability is that none of them are related to him.

    Excerpt. © Reprinted by permission. All rights reserved.

    Jason:

    Playmate

    1994

    From the beginning of our careers as ghost hunters, Grant and I saw plenty of cases in which a child was influenced by a supernatural entity who had assumed the guise of an invisible friend. But we wondered if the opposite could be true. Could an entity be influenced to some extent by a child?

    In the summer of 1994, we were contacted by Alex and Leslie Creighton, a young couple with a four-year-old daughter named Mandy. For the last six months, the family had been living in a rural part of Leominster, Massachusetts. For most of that time, Alex had been victimized by an unseen force.

    He would feel blows to his body and painful scratching sensations, as if he were being raked by a sharp set of claws. His wife said she hadn’t been attacked at all, nor had she been present during the assaults on her husband. Their biggest fear, of course, wasn’t for themselves but for their daughter.

    Both parents had seen and heard Mandy talking to someone who wasn’t there. At such times, Mandy’s voice was calm and steady, and there was no sign of fear in her expression. She was no more anxious at those times than if she were playing with the kid next door.

    At first, the Creightons hadn’t thought anything of their daughter’s invisible companion. But as the attacks on Alex continued, they grew more and more wary. Finally, they decided to engage the services of T.A.P.S.

    Grant and I investigated the house for three days straight. We deployed video cameras, audio recorders, and the rest of the equipment we used on a regular basis. Much to the chagrin of the homeowners, we weren’table to catch anything we could even remotely call evidence. However, we did witness an incident while we were there.

    At nine-twenty on Saturday morning, while Grant and I were in the kitchen talking with Leslie, Alex emerged from the shower in the upstairs bathroom and started to get dressed. Suddenly, he called out. We charged upstairs as quickly as we could, only to see Alex point to the lower part of his back.

    He had four long, angry red marks leading down toward his waist. Just as he was showing us the marks, he was attacked again on the back of his left arm. As we watched, four scratch marks appeared, each one breaking the surface of the skin and squeezing out tiny drops of blood.

    Clearly, Alex’s complaints had some credibility. Since Mandy’s invisible friend was the only other activity reported by the Creightons, we decided to see if we could find a link between the two. To accomplish that, we had to speak with Mandy.

    She was a shy child, not especially comfortable conversing with adults. Grant and I had to earn her trust first, playing dolls with her and offering her some ice cream. Finally, she opened up enough to talk about her unseen companion.

    We got her to tell us that she had a friend named Tara who would get mad at Alex sometimes. “When does Tara get mad?” I asked her. “When my dad punishes me,” said the little girl.

    In other words, whenever Alex disciplined Mandy, Tara would retaliate. In the gentlest terms possible, we explained to Mandy that Tara’s response was hurting Alex. “And we don’t want your dad to get hurt,” I said, “do we?”

    Once Mandy realized what was happening to her father, she got upset — more so, in fact, than we had anticipated. She told us with a lump in her throat that she didn’t want Tara to hurt her father anymore. Though she didn’t say so, it seemed clear to us that she would speak to her friend about it.

    From that time on, Alex suffered no more attacks. But when we last spoke with the family, which was just a few years ago, Mandy was still talking with her invisible friend. What did she say to Tara, back in 1994, to make her stop hurting Alex? We still don’t know. But we learned that, in at least some cases, children can influence the spirits who communicate with them.

    Copyright © 2009 by Jason Hawes, Grant Wilson, and Michael Jan Friedman

    Grant:

    Empty Nest

    1994

    We’ve all heard of black cats and the superstitions involving them. For example, if a black cat crosses your path, you’re supposed to be in for a run of bad luck. But what about a white cat?

    We ran into just that question in Norfolk, Virginia, at the home of Robert and Louise Platt. The couple, whose two children were both away at college, were true empty-nesters. They didn’t even have a goldfish.

    Yet their three-bedroom ranch, from what they told us, was full of activity. At least once a week, they woke up in the morning to find that their living room furniture had been rearranged. They were at a loss to say how or by whom, considering their doors were locked and they hadn’t heard any noise.

    Sometimes they opened their eyes in the middle of the night to see vaguely human figures floating over their bed. When they made a noise or a sudden movement, the apparition disappeared. But it left them unable to go back to sleep.

    At other times, they heard footsteps approaching their bedroom from elsewhere in the house. But no one ever entered. And when Robert got up to search the house for intruders, he never found any.

    They weren’t even spared during the day. Both of them heard voices in other rooms. Yet when they went to investigate they found no one there, and no television or radio activity that might explain what they had heard.

    Robert had doors slammed in his face on several occasions. What’s more, it was never the same door twice, so he couldn’t avoid it. It had gotten to the point where he hesitated every time he walked through a doorway.

    Louise had always done the laundry in the basement without incident. But lately she had started hearing voices down there telling her to get out of the house. As a result, she was avoiding going down to the basement, and had begun visiting a local laundromat.

    Jason and I took Ed Gaines and Brittney Selden, a couple of our most trusted investigators, along with us on this case. It was gray and overcast when we arrived, but not at all cold out. In fact, it was shirtsleeves weather, unusual for late fall.

    From the moment we entered the house, all four of us felt a strange heaviness in the air. It was even difficult to breathe. While Ed and Brittney positioned audio and video recording devices in strategic spots, Jason and I sat down and talked with the homeowners.

    They were rattled by everything that had gone on, and desperately wanted a respite from what they believed were supernatural events. We explained to them that we would do everything in our power to help them. However, before we could do so, we had to determine if their experiences were in fact supernatural in origin.

    Sometimes, as a paranormal investigator, you want so much to help your clients that you buy into their theories hook, line, and sinker. We had to be careful to avoid that. If we were going to help these people, we had to base our recommendations on scientifically obtained evidence, not just on our personal feelings.

    We set up our equipment and waited to see what would happen. Hours later, Jason and I were walking around upstairs when we caught a glimpse of something dark — like a shadow. But it wasn’t attached to an object, the way a real shadow would be. It was moving into one of the bedrooms of its own accord.

    Giving chase, we swung into the room and looked around. And there it was, next to the bed, almost as if it were hiding. For just a second, we got a good look at it. It was a few feet in height, hovering just above the floor. If it had any distinguishable features we couldn’t see them. It was too dark and dense-looking.

    Then, just as we were thinking we might have cornered it, it backed up in the direction of the wall — and disappeared. We felt cheated. It’s not often you get a chance to chase down a visible manifestation of the supernatural, but we had done just that. And now it had vanished on us.

    Still, we now had a reason to believe the Platts’ accounts. It was a start. As Jason and I were jotting down our observations, intending to add them to whatever audio or video evidence we could record, we caught a glimpse of something out in the hallway.

    It wasn’t the dark mass — far from it. It looked like an animal, even though the Platts had said they didn’t keep pets in the house. And not just any animal — Jason and I agreed on that right off the bat.

    As far as we could tell, it was a white cat.

    Of course, we didn’t just stand there as we arrived at that conclusion. We did it on the run, darting out of the Platts’ bedroom. We emerged into the hallway just in time to see the small, white figure slip into one of the other rooms, the one that belonged to the Platts’ elder son, Nicholas.

    For the second time in the last few minutes, we believed we had cornered our prey. But there was no sign of the cat, if that’s what it was, in the bedroom. We looked pretty thoroughly, too, before we decided that it had given us the slip.

    We left the bedroom and were barely out in the hall when, to our surprise, we caught sight of the cat again. This time it was scampering into the other son’s bedroom.

    Again, we gave chase. And again, it eluded us. But having seen the white cat twice, we were even more certain of what it was we had been chasing.

    Neither the Platts nor our team had any more experiences that night. In the morning, we collected our equipment, thanked the homeowners for their hospitality, and said that we would be in touch with them as soon as we had a chance to review the data. Jason and I hoped that we had collected some hard evidence, because we had eyeballed some pretty impressive phenomena.

    Back in Rhode Island, our team spent hours poring over audio-and videotapes, paying special attention to the times when Jason and I had encountered the dark mass and then the white cat. Sometimes we come back from an investigation chock full of personal experiences and, sadly, find nothing in our data to confirm them. This time we were more fortunate.

    Our video recordings showed us a great deal of globule acti…

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